Yvette Greslé

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Writing and Thinking with Art and Moving Images

July 13, 2015

Any presence – even though it is ignored – of a particular culture, even a silent one, is an active relay in Relation. – Édouard Glissant

Shiraz Bayjoo: “the unimaginable distances”

I approach film as a painter. It is about the way that you would look at an artwork. I look at spaces in that way. I think about how it is we interact with objects in relation to different kinds of spaces. There had to be some kind of movement of time. There had to be something time-based.

Interview: Phoebe Boswell “I always want drawings to be open and moving and shifting”

The reason I love animation is that it feels alive in the way that drawing doesn’t. I always try to wake up drawings with animation (that’s why I put the two together). I always want drawings to be open and moving and shifting.

Sluice 10 Minute Talk: Penny Siopis

It speaks to me of what it means to know, ethically and politically, anything is now possible.

Corinna Spencer, painter: “There will always be a film to open up another way of looking”

When I have wanted to express feelings of love and obsession I have turned to film.

In Memory of the New York based artist Kathleen White (1960-2014). The story of a gift. 200 1st Avenue (2014-2016): A Film by Conrad Ventur.

It is not a sentimental depiction of grief. It does not figure the body of Kathleen White or the people who loved her. There is no attempt to explain Kathleen or the circumstances of her passing. This is neither biography nor documentary.

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